What is another word for codas?

Pronunciation: [kˈə͡ʊdəz] (IPA)

Codas are endings of musical pieces, and there are several synonyms that could be used to describe them. One of the most common is "finale", which indicates the last section of a composition. Another option is "ending", which is a more general term that can refer to both musical and non-musical contexts. "Conclusion" is another possibility, which implies a sense of closure or resolution. "Denouement" is a more specialized term that often appears in the context of dramatic works. Other synonyms for codas might include "epilogue", "closing section", or "last movement". Each of these terms conveys a slightly different nuance, but all are viable options for describing the final section of a musical piece.

What are the hypernyms for Codas?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the opposite words for codas?

The term "codas" is typically used to refer to the endings of musical compositions or phrases, but it can also have a broader meaning of "concluding sections or actions." Some antonyms for "codas" might include "introductions," "prologues," "beginnings," "openings," or "preliminaries," which are all ways of starting or initiating something. Another possible antonym is "continuation," which suggests a progression or ongoing development rather than a final resolution. Alternatively, "intermission" or "pause" could be considered antonyms, as they imply a temporary interruption rather than a definitive ending.

What are the antonyms for Codas?

Usage examples for Codas

Caroline, like a horse who has just been touched up by the lash, starts off anew, and with the animation of one of Rossini's codas: "Yes, it's a very neat idea, to put your wife out in the country so that you may spend the day as you like at Paris.
"Petty Troubles of Married Life, Part First"
Honore de Balzac
In classical music there are, as the analytical programs tell us, first subjects and second subjects, free fantasias, recapitulations, and codas; there are fugues, with counter-subjects, strettos, and pedal points; there are passacaglias on ground basses, canons ad hypodiapente, and other ingenuities, which have, after all, stood or fallen by their prettiness as much as the simplest folk-tune.
"The Perfect Wagnerite A Commentary on the Niblung's Ring"
George Bernard Shaw

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