What is another word for encrustations?

Pronunciation: [ɛnkɹəstˈe͡ɪʃənz] (IPA)

Encrustations refer to the hard or crusty deposits that form on surfaces like rocks, shells, and even dental plaque. Synonyms for encrustations include crusts, coatings, shells, layers, films, buildups, and deposits. These terms are often used interchangeably to describe the physical appearance of something that has accumulated a layer of residue, particularly on natural surfaces like limestone or coral. When it comes to teeth, encrustations can be described as tartar, plaque, or calculus. These synonyms help us understand the various forms of encrustations and how they can appear in different contexts, from a geological formation to a dental cleaning.

What are the hypernyms for Encrustations?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the opposite words for encrustations?

Encrustations are defined as the build-up of hard material on a surface, often caused by minerals or other substances. The antonyms, or opposite words, for encrustations would be terms that imply the absence or removal of such deposits. These may include phrases such as "clean and smooth," "pristine and unmarked," "pure and unspoiled," or "unblemished and uncoated." Antonyms for encrustations can also refer to the material itself: "empty and clear," "light and airy," or "transparent and pure." In general, antonyms for encrustations signify the opposite of a rough, hard texture and can refer to a surface that is smooth, clear, or unadorned.

What are the antonyms for Encrustations?

Famous quotes with Encrustations

  • Shakespearean language is a bizarre super-tongue, alien and plastic, twisting, turning, and forever escaping. It is untranslatable, since it knocks Anglo-Saxon root words against Norman and Greco-Roman importations sweetly or harshly, kicking us up and down rhetorical levels with witty abruptness. No one in real life ever spoke like Shakespeare's characters. His language does not "make sense," especially in the greatest plays. Anywhere from a third to a half of every Shakespearean play, I conservatively estimate, will always remain under an interpretive cloud. Unfortunately, this fact is obscured by the encrustations of footnotes in modern texts, which imply to the poor cowed student that if only he knew what the savants do, all would be as clear as day. Every time I open Hamlet, I am stunned by its hostile virtuosity, its elusiveness and impenetrability. Shakespeare uses language to darken. He suspends the traditional compass points of rhetoric, still quite firm in Marlowe, normally regarded as Shakespeare's main influence. Shakespeare's words have "aura." This he got from Spenser, not Marlowe.
    William Shakespeare

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