What is another word for is sunk?

Pronunciation: [ɪz sˈʌŋk] (IPA)

When it comes to talking about something that has failed or fallen apart, there are plenty of synonyms to use instead of "is sunk." For example, you could say that it has fallen through, crumbled, collapsed, or gone under. You might also say that it has hit the skids, gone belly up, or come to naught. Other possibilities include failed, foundered, ruined, or been defeated. Each of these words has slightly different connotations and can be used to describe a variety of situations, from failed business ventures to broken relationships. Ultimately, the choice of synonym will depend on the context and tone of the situation.

What are the hypernyms for Is sunk?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the opposite words for is sunk?

The phrase "is sunk" implies a sense of defeat or failure. To find antonyms for this phrase, we can look for words that convey a sense of success, triumph, or rising. Some possible antonyms for "is sunk" include "prevailed," "triumphed," "succeeded," "rose," "overcame," and "survived." These words can be used to describe situations where one has overcome obstacles or achieved their goals. While "is sunk" may carry negative connotations, its antonyms offer a more positive outlook and inspire hope for the future.

What are the antonyms for Is sunk?

Famous quotes with Is sunk

  • "Flotsam floats when all is sunk. Jetsam thrown isn't just junk. Coughs and colds and bright red sores Waiting for us, so bend yer oars!"
    Garth Nix
  • The world's whole sap is sunk: The general balm th' hydroptic earth hath drunk, Whither, as to the bed's-feet, life is shrunk, Dead and interred; yet all these seem to laugh, Compared with me, who am their epitaph.
    John Donne
  • No in this Mahomet; it is a business of Reprobation and Salvation with him, of Time and Eternity: he is in deadly earnest about it! Dilettantism, hypothesis, speculation, a kind of amateur-search for Truth, toying and coquetting with Truth: this is the sorest sin. The root of all other imaginable sins. It consists in the heart and soul of the man never having been to Truth; — "living in a vain show." Such a man not only utters and produces falsehoods, but is himself a falsehood. The rational moral principle, spark of the Divinity, is sunk deep in him, in quiet paralysis of life-death.
    Thomas Carlyle
  • I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.
    Alain de Botton

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